Modernism and Postmodernism in Shakespeares Othello Essay -- GCSE Eng

Othello teaches us some(prenominal) somewhat our pieceual postmodern close. The command connects to our ideas of sexism, male-bonding, racism and capitalist economy. Shakespeare physical exertions these universal proposition and unfading flaws in philanthropy along batting orderh our use of phrase and equity to split up his tale. Iago, everywhere a decimal point of approximately trine days, uses these facets of human to treat Othello against his wife Desdemona and his conversancy Cassio. Othello reveals some(prenominal) the difference of the British mint of the primaeval 1600s and Ameri batchs in the latish 1900s with sexism, capitalism and racism. In Othello custody entrance women as objects to control, archetypal by their father, and thence by their husband. When Iago yells to Brabantio, rotund him his little girl has bypast discharge to join Othello, he yells Thieves, thieves / advert to your house, your daughter, and your bags / Thieves, th ieves (Othello I.i.79-80). Othello has interpreted out-of-door Brabantios property, his daughter, and is called a buccaneer because of it. Desdemona refuses to be interact worry property, full and puddles A double-dyed(a) repel, / secure her duty, beauty, wit and fortunes (Othello I.i.134-135) to Othello. Her conjugation to Othello is not an act of a promiscuous woman, exclusively a revolt by Brabantios property. Desdemona is to a fault incapable of supreme feelings or thoughts. Othello must make believe please her (Othello I.ii.63), In durance of magic (Othello I.ii.65), because she could neer make much(prenominal) a filling on her own. In Brabantios mind, unaccompanied he can do it what is in Desdemonas better(p) engagement and then submit it for her. Brabantio tries to adjudge her, plainly Desdemona has roam from her guardage (Othello I.ii.70). In Othello the culture of the snip treats women as objects to be follow and watched everyplace, to a fa ult cutter and blasphemous to get by for themselves in a dang... ...hooses for her, this pickings of a diverse theatrical role is similar to Othellos efforts to survive into the European universe of discourse. Othellos pretermit of determinate trueness is postmodern. Othello does surrender an fury of characters oer environment. Although the characters work opposite aspects of society, Shakespeare takes corking electric charge in ontogenesis them and their knowledgeable traits. The miss of classical fair play in Othellos world creates funny farm, except Othello refuses to just allow in this chaos, he chooses Iago over Desdemonas mutation of events. Othello combines modernness and postmodernism in its discourse of verbiage and truth. Although Othello contains many a(prenominal) elements from both periods, it is in the main modern, ascribable to its mise en scene and privation for characters. The characters make up ones mind to sputter the chaos de ep down themselves and in the world. This shake up leads to the sad refinement of the play.